Here are my notes on Kitaro's soundtrack:
- Not enough silence: Within tracks; in between acts, to provide closure for previous scenes
- Build up: Bass and percussion did not show any restraint earlier on in scenes
- Use of harps: Way too synthesized, cheeseball-ish.
- Operatic vocals: Did not contrast enough w/ strings
- Too much bass in general
On interaction between music and water:
- Pitter patter percussion effects resembling ripples of water: too electronic sounding; not v coordinated, easily disconnected from piece
- Note: wonderful that it was raining!
Most original part of soundtrack:
- Jane Zhang's slight blues edge during vocal song ("Impression West Lake Rain") bridge. Probably because the pentatonic scale shares so much with Chinese melodies. More on that later.
On technical stuff:
- Less bass and better sound balance: Felt like i was in an early 90's bar. Wait - I forgot, still in CN.
The "Impression West Lake" soundtrack was nominated for Best New Age Album for the 52nd Grammy's at the end of 2009...
But, would Tan Dun have done a better job than Kitaro?
Overall, it was a visually stunning production. Definitely a MUST see. But, prepare yourself for a loud, distracted and generally unappreciative audience. The lack of applause in the end made me feel sick in my stomach..
Image source: chinadaily.com
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